This is where I begin to sometimes have trouble. Back in the days of film, you shot either color or black & white. You had to remember what type of film you had loaded and attempt to see through the viewfinder in either color or monochrome. In 2011, I try to have an idea of what I want the image to look like before I shoot, but ultimately I get to pick in the processing stage of the photo.
I really like this photo, shot in downtown Denver, because of the true contrast in tones and the contrast of the tiny, nimble Porsche and the massive, sluggish eighteen wheeler. The only problem is I really can't decide between the monochrome and the color image.
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